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Este Cmap, tiene información relacionada con: unit 2, VOCAL STYLES IN THE RENAISSANCE MUSIC Vocal Styles Throughout the 1500s, liturgical music grew in size, technique, and usage. Religious music was still dominated by masses and motets, VOCAL STYLES IN THE RENAISSANCE MUSIC Vocal Styles d) Reformation music in 16 th century (Germany, France), VOCAL STYLES IN THE RENAISSANCE MUSIC Vocal Styles e) Secular music, VOCAL STYLES IN THE RENAISSANCE MUSIC Vocal Styles The Franco-Flemish composers were interested in creating new techniques as the canon. The new canon employed some interesting techniques: 1. Mensuration canons-several voices carrying the same melody at different rates of speed. 2. Retrograde canons-the melody is sung backwards. 3. Augmentation canons-the time values of the notes increase in the imitating voice. 4. Double canons-four parts with two different melodies, each canonically imitated., VOCAL STYLES IN THE RENAISSANCE MUSIC Vocal Styles The four main forms used up were mass, motet, chanson and carol. They were similar in that they all were polyphonic in texture (imitative texture), had four to six parts, and were all composed for voice
